The Exhibition

Pausing in the exhibition hall, vague constellations of heroes, divinities and mythological creatures who inhabit the imagination of the ancient world, substantiating its culture, will appear. The research that leads the author to the Arkhaeo Project was born here, a result that in his own way experiences a myriad of symbols and metamorphoses, all arising from the fascinating Greco-Roman mythology, seen from the eye and from the stratified modern consciousness of author. The thoughts of ancient man and his way of being are still strongly alive, delivered in architecture, works of art, excavation finds, objects of worship or of daily use which, defying the vertigo of time, reach us, inescapably full of the "pathos" of a disappeared humanity. In these (sometimes) ironic works, Palazzo adopts the language of the engraved sign-color to give the appearance of space-time icons expressed by evocative titles, choosing from the abyss of infinite possible solutions the one that represents a new insoluble enigma. The most varied materials, recycled and reborn to new life, speak their own language, that of structural, visual, tactile and emotional identity. The works, around twenty, are accompanied by some engravings and preparatory drawings.